#i... need to do drafts but....

[cozylittleartblog]

"content creator" is a corporate word.

we are artists.

[daemaid]

AU type thing where instead of imprisoning him, the Bishops somehow manage to wrestle the red crown off of Narinder and he is reduced to his mortal form.

[viktorarcanedeservesbetter]

because I’m on a meljayvik kick rn

Viktor has to sleep in the middle of the bed bc both Mel and Jayce run hot. any combo where he is not in the center has whoever is on the end sweating profusely and the person in the middle has one cold side and one warm side. it’s science.

Mel is the coolest and calmest of their heads, yes, but she is most definitely in on their “yes, and?” dynamic to science and magic. She is all for the chaos, she just wants them to wear protective equipment while doing the chaos.

Jayce designed their shower to be double the size of a normal walk-in. Their tub is pretty much a hot tub. Do with this what you will.

Jayce carries both his partners on his shoulders. He also can do many a set of pushups with both of them on his back. They’ve played chess against each other on Jayce’s back, while also asking for advice on chess moves.

Jayce and Mel have a game called “do not leave Viktor alone with Ambessa”. For everyone’s sake, they have been 100% successful. Jayce gets jealous, and the last thing Mel wants her mom to know is that they do share a taste in types of men. Viktor is unaware of this game. Ambessa is curious of the twink her daughter is hiding from her.

Mel is the first person who gets to see all their prototypes in action. She has also been woken up in the middle of the night when one (usually both) have an idea. She is 100% behind this, though she didn’t appreciate the time Viktor and Jayce woke her up for what ended up being a literal lamp re-design. They spent an hour talking about their genius and innovative light, powered by hextech, just for her to flick their bedside lamp on.

Mel has never laughed so much in her life since meeting and getting with them. She attributes these years as the best ones so far. Jayce and Viktor feel the same.

Viktor is just. Always in meetings now. Chilling out. What are you gonna do? Tell the de facto-head of council Jayce he can’t bring in his partner and tell the richest and also most influential member Mel she can’t bring in her other Boyfriend? Good luck.

He actually does not want to be in these meetings. He's there for moral support and the promises of coffee. Also Mel needs him to occasionally hit Jayce's chair with his cane when the other man starts to fall asleep.

He also sneaks notes to her of drawings and she's been mad (not really) ever since he made her snort really loudly due to his caricature of hoskel and salo. It's framed in their office.

[sanzundertale]

babygirl i will invent stages of grief you have never seen before

[riddlerosehearts]

isabeau's confession at the end of ISAT is constantly living rent-free in my head it's so fucking good. right now i'm obsessed with the way he responds to siffrin saying "i love you too" because just. imagine you're siffrin and for so long now you've believed that you were horrible disgusting manipulative unloved and unworthy of love and yet. your best friend is telling you he loves you. and you feel that you love him too (in what way? the same way that he loves you? you're not quite sure yet, but stars, you feel like your heart is going to burst out of your chest, he means so much to you) so you tell him so.

and he responds by telling you he already knew that because he has eyes.

you're siffrin and you are kind passionate protective and so loved and full of love for your friends, your family, and yet you hate yourself so, so deeply that you don't see any of that but isabeau does. according to him it's written all over your face, apparently--the face you're always trying so hard to hide with your hat, which as the universe would have it, you don't have anymore!! and he sees you and he loves you and he knows you love him back, even after you said and did such horrible, cruel things to him and the rest of your family that you know they didn't deserve, after you almost broke the world trying to keep them by your side, somehow isa understands you and still loves every single part of you. and you love him, you love him, you love him because how could you not?

especially since he also got so excited when you told him you loved him that he shouted "CRAB YEAH!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!" in your face.

[poorly-drawn-mdzs]

This wine tastes like pigs blood!

[First] Prev <–-> Next

[stackapapers]

I think Redson would be a V-neck kinda guy(?), yea... He wont recall a thing when he wakes up the next morning LOL, not until someone reminds him ofc 😴⚒ He knows the inner workings of machineries by heart 💪

Did a Part 2! :DD

[yallstar]

“I am not – versed, in this kind of thing. I can articulate my thoughts fine, my theories even better, but you make me… feel things.” Viktor held up his hands, the slender digits and creased palms, frustratingly inarticulate. “I am not… good, at that.” Jayce reached for his hands, bringing them slowly, reverently, up to his face. He held Viktor’s hands to his cheeks, flattening the fingers until he held Jayce from chin to temple. Jayce leaned into it, eyes falling shut. “I like how you feel,” he said simply.

from the last chapter of differential burdens in displacement! i drew a bunch of snippets from this scene, because it was one of my favorites to write. i just love them bein sweet on each other 🥺💙

[warmfuzzyanimal]

had an identity crisis, prime time for a slight sona redesign!

it's cow! (again!)

+ a closeup because i'm really proud of the eyes

[wardingshout]

late summer times

[lotus-pear]

smoke break

[wishchip106]

sigh i love my silly lil cherik text posts i wonder when I’ll ever stop making them…

1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21

[jaydove-writes]

Moving intro to pinned post so bio is less cluttered

~ he/him, cis, biromantic asexual, engaged to @starlightprincess98, (Planning to get married February 14th 2026) born July 12th 1997 (listed the year so I don't have to update my age every year) ****

Platonic soulmates: @aflairforthemelodramaticc and @translesbianfoxgirl

**** Formerly known as **** @princesssparkle42 **** @jaydovesworld **** Other blogs include **** @ask-skybluecmc, if you want to do some MLP OC RP **** @phoenix-of-grandeur, if you want to talk about your favorite games or mine (Though I also do that on main) **** @phiction-of-grandeur, if you want to talk about your stories or mine (Again I do that on main) **** @ask-the-felicity-crew, if you want to RP between your OCs and mine or ask me questions that I will answer as mine. The characters may or may not know they are fictional depending on when in the timeline you ask them.

****

@ask-simon-devlyn, same as the Felicity Crew, but centered around the captain, Simon Devlyn. On this blog Simon knows he's fictional.

**** I love talking to people and making new friends! I'm also creating my own story series called Starbourne. Wanna be friends in the gaming multiverse? Here are my Friend Codes:

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Steam: 111892045

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Nintendo Switch: SW-5163-5533-6136 ****

Musical Fandoms:

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Chrono Trigger

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Undertale

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EPIC

**** Show Fandoms: **** MLP **** Steven Universe **** The Owl House **** Amphibia

**** The Ghost and Molly McGee **** Sailor Moon **** Cardcaptor Sakura

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Infinity Train

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Spongebob Squarepants ****

More later

**** Game Fandoms: **** Any RPG that features Mario (Such as Super Mario RPG, the Paper Mario series, or the Mario and Luigi RPG series) **** Any indie game inspired by Paper Mario (Such as Bug Fables or Born of Bread) ****

Undertale and Deltarune ****

In Stars and Time

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Kirby

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Hollow Knight and Silksong **** Zelda (mainly just watching other people play them) **** Pokemon (see Zelda) **** Might add more later **** Book Fandoms: **** Percy Jackson et al **** Amari **** Serafina **** Might add more later ****

Webcomic Fandoms

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Homestuck

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Down to Earth

***** Donation Links

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Kofi

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Patreon

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PayPal

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Book 1 of my series, Starbourne, is FREE!! For the other books please donate $6 per book to one of the aforementioned links. I'm planning on making this a series of 9, but currently working on book 2.

Doing one of those note things for motivation (or notivation because notes lol)

25 notes - I do the dishes and clean out the litter box (done, for now... But these are Sisyphean tasks)

50 notes - I clean up around the house (I did a little cleanup, might do more later)

100 notes - I do a little work on my book (it still needs editing before I can publish it and write the sequel, but I'll do some work on that when my PC stops crashing)

250 notes - I start working on book 2 (or work harder on editing book 1 if it still needs it)

500 notes - I participate in artfight (in the first July after it reaches this threshold. I doubt it'll get there by this month.)

1k notes - I start working on a video game in the Starbourne multiverse. A small one, like Undertale is to Deltarune. I'm calling it Saturn Robe which is an anagram for Starbourne, like Undertale is for Deltarune.

2.5k notes - I start working on my dream game, Starbourne. The one that's the reason I started writing in the first place. (If the small game isn't finished I work harder on that)

5k notes - I dedicate my time to taking care of myself/my partner/my family, and working on my dream game.

10k notes - I become a god in the Tumblrverse (this will not happen)

If you want to know more about Starbourne, check out my other blog @phiction-of-grandeur and my community for more details. My askbox is always open if you want to ask me something.

Here's the first book now:

And here's a newer version of the first book, with (hopefully) better writing. It's gonna be longer than the draft above.

Here's the book on AO3 as well ^^

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

[chaoticke-rambles]

I’m interested in how both Charles and Edwin treat the whole idea of being “detectives.”  Obviously, they are detectives.  They have formed a detective agency, they run cases, it’s their whole thing; it’s how they spend their afterlives.  But it’s more than just that.

They both take the detective work very seriously.  Edwin comes off, generally, as more serious than Charles about it, with his little asides about being a “proper” detective and the methodical ways he likes to do things, but Charles is clearly into it, too.  And sometimes it feels so clearly like they’re playing at the idea of being detectives that it’s almost like a game or a roleplay for them.  They want to be (and are) detectives, but they are two teenage boys who have styled themselves after the idea of being detectives.  Then there are moments where this “performance” of detective work begins to break down.

For Edwin, this happens earlier in the season.  In the first episode, he admits that the detective work matters because he needs it, emotionally, to matter.  His and Charles’s cases didn’t get solved, no one cared.  He needs someone to care.  That’s his investment in being a detective; its more than just a game for him.  When the Cat King casts his truth spell, this is only built upon.  He says he does the detective work, too, because he wants to stay out of hell.  For a while, though, I was trying to find Charles’s investment.  Yeah, his case was also written off when he died, but didn’t seem as upset about that as Edwin.  On the first watchthrough, I wondered if Charles’s investment in the detective work was simply because Edwin was invested.

Then there’s episode 4, when Charles beats the Night Nurse, and part of the speech he yells at her is about being a detective.  I think that’s when it started to click for me that there was something deeper going on with him, too, about the detective work specifically.  Charles is upset he died, he never came to terms with it.  I wonder if part of the reason he’s so invested in being a detective is because it gives him a sense of purpose and impact that he misses from being alive.  He could never stop the things he wanted to stop, never protect the people he wanted to protect, but at least he has this, with Edwin.  At least they are detectives, and Charles can feel needed, feel like his life didn’t end so early for no reason at all.  

I think a lot about the concept of ghosts having unfinished business and how that might apply to both Charles and Edwin, and I think that the detective agency, despite how it sometimes comes off as playacting, is deeply tied to both of their psyches.  Edwin needs the detective agency to feel like there was a point to everything that happened to him.  That maybe no one cared he disappeared, and maybe he ended up in hell, but it wasn’t for nothing.  They can try to keep it from happening to anyone again.  And Charles?  Well, he needs the detective agency because there was no point to what happened to him.  He shouldn’t have died, and he’s not ready to move on to an afterlife.  He needs to feel like he’s needed, like there’s something he can do.  If it hadn’t been a detective agency these two formed, it would have been something else because they had too many deep-rooted issues that have been sublimated into the agency itself.

[oceanwithouthermoon]

saiki getting forcefully nonchalant-ified by the animators compilation